Maud Lewis, <em>Three Black Cats</em>, 1960s, Oil on pulpboard, 30.0 x 30.8 cm. Private collection.TL2018.134
Maud Lewis, <em>Victoria Bridge Scene</em>, c 1966, Oil over graphite on pulpboard, 30.0 x 34.7 cm. Gift of Robin Garland, Italy Cross, Nova Scotia, 2017, with assistance from the Sheldon and Marjorie Fountain Endowment Fund.2017.46Maud Lewis, <em>Cabin on a Lake (Painted Lamp with Shade)</em>, c 1940s, Oil on paper and ceramic, 39.2 x 23.6 x 23.6 cm. Purchase, 19971997.184

Maud Lewis

Saturday, 23 June 2018 to Wednesday, 1 January 2020

An adjunct to the Terroir: Then and Now exhibition, this focus on Maud Lewis showcases examples of her artwork and is especially appropriate given the importance of Yarmouth as a place in her life. Her paintings clearly draw from her surroundings and memories from her childhood. From views of oxen teams working the fields to lighthouses standing watch along the rocky shores, Maud Lewis’ paintings reflect the spirit of rural Nova Scotia and a life inextricably bound to the land and sea.

Maud Lewis (1901-1970) was born to John and Agnes Dowley on the Yarmouth and Acadian Shore of Nova Scotia. Although there is some debate about her exact birth place, recent research has revealed that Maud was born in the town of Yarmouth, Nova Scotia. The backdrop of her playful and colorful images, her only experience of the world extended to an area between her birthplace in Yarmouth County and her married home in Marshalltown, Digby County.

In the world of folk art Maud Lewis is a legendary figure. Her life and accomplishments have been celebrated far and wide in nationally touring exhibitions, publications, and, most recently, on the silver screen in the 2017 cinematic release Maudie.